ONLINE! The Post-Impressionists: Gauguin, Cezanne & Other Pioneers of the Late 19th c.

Code: AA11011

Dates: March 15 - April 12, 2021

Meets: 9:30 AM to 10:30 AM

Sessions: 5

Course Fee: $85.00

There are still openings remaining at this time.

Unlike their predecessors the Impressionists, the five artists known as Post-Impressionists did not share a similar style. Paul Gauguin and Vincent van Gogh used color to express feelings; Georges Seurat embraced scientific theories in his development of Pointillism; Paul Cezanne focused on structure, both in nature and human life; and Henri de Toulouse-Lautrec shared a different side of life in Paris. See how all of their efforts exerted major influence on early 20th-century artists including Henry Matisse and Pablo Picasso.
Fee: $85.00

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Mariann Smith

Mariann Smith, MA. Prior to moving back to this area, she worked for 26 years in the Education Department--for the last 12 years as curator--in the Albright-Knox Art Gallery in Buffalo, NY, which focuses primarily on modern and contemporary art. Her major responsibilities included docent training; writing, recording, and editing audio tours and video programs; researching and preparing label copy and brochures for exhibitions; presenting lectures on a wide variety of topics; and curating a number of exhibitions. She is the author of Albright-Knox Art Gallery: Highlights of the Collection (2011) and a major contributor to The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery (2011). Since moving back to Chester County, she had a one-year appointment as Curatorial Assistant, Art & Artifacts Dept., Special Collections, Bryn Mawr College, working with the Art and Artifacts staff on collection-based projects, exhibitions, and the museum studies program. She also worked as consultant at the Brandywine River Museum of Art, revising audio tour scripts and preparing exhibition labels. Mariann received her AB in French Studies from Bryn Mawr in 1981 and a Masters in Art History (1986) and Certificate of Museum Practice (1987) from the University of Michigan in Ann Arbor. She is also currently a consultant for the Center for Humanities in Medicine at the University at Buffalo School of Medicine and Biological Sciences.


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